More piano and me

I finally updated the Event Page on my website with my current affairs and both of the upcoming piano workshops are there.

Just a reminder, the first workshop will be presented on Monday, February 6, 2012 at 10:30am till 12:30pm in Princeton.

Also here is some exciting news about Tuesday’s workshop. Montgomery Media publisher of many papers in South Eastern Pennsylvania presented a story about our upcoming workshop in Willow Grove.  The story is by Joe Barron.

I hope that this story might entice some of you in the area to come and hear how new music sounds. You can go and read the story by following this link:  Montgomery News, or you can just read Joe’s story below.

Piano recital at Jacobs Music hopes to bring avant-garde to the fore

By Joe Barron
jbarron@montgomerynews.com

Marvin Rosen remembers the day he first heard the music of the composer Jennifer Castellano. It was April 18, 2010, at a piano recital given in New York City by Max Lifschitz, the contemporary music specialist.

“Basically, I was very impressed with her music without knowing much about her,” Rosen recalled Sunday, speaking by telephone from his home in Princeton, N.J.

An email correspondence ensued. Castellano sent Rosen CDs of her music, which he played on his radio program, “Classical Discoveries,” broadcast Wednesday mornings on WPRB Princeton, 103.3 FM. Eventually, Rosen asked to speak with Castellano on the phone.

“She called me the first time, I was floored,” Rosen said. “I mean, if you told me she was hearing-impaired, you could have knocked me over with a feather.”

Castellano, 30, is not only hearing-impaired, she is also legally blind; yet she and Rosen perform regularly as a piano duo. Together, they will conduct a music workshop and recital at Jacobs Music, Willow Grove, Feb. 7.

“The audience is mostly going to be teaching professionals,” Castellano said in a phone interview Sunday. “My mission is to show people that, you know, music can be taught to everybody, and there’s no limits to who can participate in music and who can study it.”

Disabilities are nothing in new in the arts, of course. The greatest composer in history was deaf, and Beethoven did not have access to the gadgetry that allows Castellano to talk on the phone or pick up cues from her conductor when she plays in the bell choir at her church in Hawthorne, N.Y.

Nevertheless, she remembers a distinct, uneasy vibe in the room when she auditioned for the music department at Manhattanville College in the 1990s. In addition to proving she could play the piano, she had to reassure the faculty that she would not need too much special accommodation. The final bit of resistance broke down when, one day in class, a professor asked who among the students had perfect pitch, and Castellano raised her hand.

“I don’t think they saw that coming,” she said. “You don’t have to have good hearing to have perfect pitch. You just have to have a good memory. I think it can be taught.”

Castellano’s greatest handicap, however, is one she shares with every composer alive today: The classical music world prefers composers who are safely dead. It’s usually after the composer dies that people start taking an interest,” she said. “It takes awhile. I don’t know how exactly that works.”

Rosen has tried to correct the imbalance in his weekly radio broadcast, which he has dedicated to unfamiliar repertoire, particularly that of living composers. He once devoted a morning to Castellano’s work, interviewing her on the air. For a young composer, it was like dying and going to heaven — or maybe, in classical terms, to just dying.

“It’s not easy to get any opportunities like that,” Castellano said. “There are not many radio shows that play current stuff, and if they do, it’s very hard to be included. … You can’t put a price on that. It’s a great thing if you’re a living composer.”

As a thank-you for the attention and encouragement, Castellano composed the “theme” for the avant-garde edition of Rosen’s radio show, taking his spoken introduction — “Welcome to another edition of ‘Classical Discoveries Goes Avant-Garde’” — and subjecting it to a series of electronic mutations.

“It’s all based on my radio voice,” Rosen said. “She took samples, and then she started dissecting them. … I’ll probably share that at the workshop.”

It will be an appropriate choice, because, like “Classical Discoveries,” the workshop is of a piece with Rosen’s mission to promote the work of living composers. The program will include music from around the world, all of it written in the 21st century. His hope, he said, is that teachers who attend will take some of the music back to their students.

“Any style goes this day and age. There is something for everybody,” he said. “Students have a very exciting time when they say, ‘Oh, gosh, this thing was written when I was 5.’”

If you go:
Pianists Marvin Rosen & Jennifer Castellano will conduct a music recital & workshop at Jacobs Music, 1135 N. Easton Road, Willow Grove, PA 19090,
Tuesday, Feb. 7, 10 a.m. – noon. The program is being presented for the Bucks County Association of Piano Teachers. General public is invited.
Admission: $10; free to members of Music Teachers National Association chapters in the Philadelphia area.

Info: marvinarosen@gmail.com.

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About marvinrosen
Music is my middle name

One Response to More piano and me

  1. Jennifer says:

    HI Marv,

    I left a comment like 10 minutes ago and I don’t know if it went through or not so I am just going to post again so you know that I was here LOL! Looking forward to see you in just a few days!

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